The Bradford Bunch

Laura Bradford /

More RT Goodness

It all started on Tuesday night with this…

This yummy little thing jumped started a fabulous time in Pittsburgh at RT.  I had a great time.  And can’t complain about one thing.  Not even the fact I had a sore throat. I thought I sounded sexy after that.

The best thing about RT….seeing old friends and making new ones.

My bestest buddy Kimberly Kaye Terry and I.  Good times!

I loved being on the erotic paranormal panel and holding my own on a panel with Caridad Pineiro and JR Ward.  I was nervous as all get out, but managed to get a few laughs.  And from that I sold probably 10 books at the bookfair.   Very cool!

I had a chance to host a big party with my friends the Allure authors, Sylvia Day, Delilah Devlin, Myla Jackson and Sasha White and we signed books to almost 400 people.  It was AWESOME.  And I of course couldn’t resist the marjaritas…

Best of all, I loved hanging out with the ladies of the Bradford Bunch.  Megan, Lauren, Anya (also sexy super agent man) and Ann rocked big time, and of course the lovely Laura Bradford herself.  I couldn’t have asked for a better bunch of authors to hang with.  Beautiful and talented–every single one of them.

It was so good that I’m already thinking about next year in Orlando!

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Feeling it!

Well, I’m finally recovering from RT 2008. By this I mean I’ve unpacked my suitcase, paid some bills and organized (though not cleaned off my desk,) and started to get back into the swing of family life.  You know. Yelling at the kids, doing laundry, generally being the domestic diva I am.

I didn’t feel well at the convention, unfortunately, and I wasn’t alone. But even so, I came back energized, writing-wise. No, I didn’t come up with a brand-new, shiny, full-fledged idea the way I did last year when Lauren and I brainstormed Taking Care of Business while standing in line. (Though we did talk about a followup to that book!) But I did come home with inspiration and ideas for layering some themes into the edits for my current WIP, Switch. 

I finished SWITCH before I left for RT and had planned to let it sit for awhile while I worked on some other things, but while there my mind kept turning back to it. Switch hasn’t been an easy book for me for many reasons. For one, it took me a lot longer to write than usual, partly because I stopped a few times to work on other things and partly because I struggled with the writing of it. I was really glad to have finished the first draft because it meant I could take a break from it, so to discover when I got back from RT that I really wanted to dive back in was…suprising.

Here’s the thing: I take a lot of my work from my life — not things that have happened to me, necessarily, but feelings and emotions and situations that make me THINK about “what if.” I don’t live everything I write about (my goodness, who has time?) but I do…FEEL it. I do feel what I write. Sometimes I feel it first and hold onto that and use it. Sometimes during the writing I start to feel the work, instead, which is also interesting.

I’d had an inkling about what Switch was meant to be for a few months, and it was pretty far from what I’d first anticipated the book to be. In its first incarnation it was a story about dominance and submission, a woman who finds misplaced notes in her mailbox meant for an anonymous person being given increasingly erotic commands. She discovers she likes the content of the notes — craves it, in fact. But when she discovers who the notes are really for, everything changes and she becomes the note WRITER instead of the note receiver.

The book is still “about” that — it’s what happens, anyway. But somewhere along the way a minor, throwaway character became more important, and now he’s an irreplaceable part of the story. I didn’t expect that.

And somewhere, somehow, the book became about choices. The ones we make, good or bad, right or wrong, and how sometimes no matter how much you think you want something, in the end you don’t take it because not having it is better for you. Sometimes, as Paige, the heroine says, you walk away.

So now I have to finish entering all my receipts and put some laundry away and take a shower and have some breakfast, and then I need to crank up the iTunes and get lost in this world again. But you know what?

I feel it.

M

 

PS — I was so happy to hang with my lurvely agent the glorious Laura Bradford (or LB as I like to call her) and Lauren Dane, Anya Bast and Ann Aguirre and Vivi Anna, and we missed Cynthia! NEXT YEAR IN ORLANDO!!!!!!!!!!!

Some of my favorite photos –

 

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Saturday Q & A From The Lovely Laura Bradford!

Now that we’ve got a newly expanded team - Saturdays will be days for guest blog spots and also some fun industry type stuff. Today’s entry is a bit of question and answer from Laura Bradford herself.

Question: Do you think it’s important for an author to be flexible and adapt easily to the changes in our genre or to stick to one sub genre and master it?

Laura Bradford:  Well, in a perfect world I think everybody should get to write what they want but since when is this a perfect world? Some subgenres are more popular than others–all you have to do is go to a bookstore to see that this is true. I think we can all understand that it would probably be easier to sell a historical romance set in London than one set in Warsaw and that the market for romantic suspense is probably bigger than the market for futuristic romance. With that said, sometimes an author’s voice doesn’t always translate well across certain subgenres and themes.

If you naturally write material that is dark and gritty and intense, maybe it isn’t a great fit for you to write breezy, light romantic comedy. Just because your preferred subgenre isn’t the “it” thing at the moment doesn’t mean that you should necessarily write something else. Certainly you can try on other subgenres for size, but I don’t think anybody should change their writing universe if it isn’t a good fit for them personally.

Flexibility can be a great thing but so is being a real master of your subgenre.

Question: Any tips or valuable advice she can give us?

Laura Bradford: Educate yourself as best you can about your targeted genre or subgenre…

Know who your competition is. In a non-fiction proposal, one of the elements an author is required to include is a “competitive analysis” and I think that this can be a helpful exercise to do for fiction writers, too. What kinds of books are hitting the bestseller lists, the light and frothy ones or the gritty and intense ones? Understanding that the big authors like Nora Roberts and Linda Howard will almost always hit the lists, which NEW authors are hitting the Borders top 20 Mass Market list or the USA Today top 150 list? Are there any surprises? Where do you see your voice and style sitting amidst the rest of the marketplace? Is your material full of classic themes and tried and true favorites or does it have a never-before-seen plot element? What is your strength? Is it voice? Characterization? Unusual plot twists? Once you have looked around, taken a serious inventory of the market, evaluated your place in it, I think the next step is to know what you want and to have a plan.

Set goals, be resolute, know what kind of trajectory you want your career to take.

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